The Hateful Eight- A Wild West Mystery That's Quintessentially Tarantino
Ben Cottingham | 25th January 2016
For those of you that know me, I’ve been waiting. I’ve been waiting a long time for this film; after the fiasco of the script leak, and holding my breath at Tarantino’s refusal to make the film I was over the moon when the posters went up at work for ‘The Hateful Eight’. A little context is likely to be useful here, ‘The Hateful Eight’ is a Western set just after the American Civil war. To explain the atmosphere this has left the US in, ‘racial tension’ simply doesn’t cut it. Masterfully shown by Tarantino through the dynamic between Samuel L. Jackson’s Major Marquis Warren, a famed bounty hunter and Bruce Dern’s General Sandy Smithers, who fought on opposite sides of the Civil war, with the sorts of racial slurs we grew accustomed to in ‘Django Unchained’. This tension, mixed with the dark humour of Quentin Tarantino results in a journey of nervousness and fear, punctuated regularly enough by feel-bad-for-laughing-laughter to keep the tone in an excruciatingly good place.
In terms of set and cinematography Tarantino has never been one for convention, filming (and fighting for) an original 70mm celluloid film he creates a sense of history and other-timely-ness (I know I’m making up a few words here, but cut me some slack) which filming digitally would simply be unable to capture. Similarly, going against his own trends, Tarantino elected for a totally original soundtrack, rather than a licensed one; composed by the fantastic Ennio Morricone, who won a Golden Globe for his efforts. The impact of this upon the film is a menacing soundtrack which perfectly matches the pacing and moods on screen, think of the atmosphere music creates in Alien, but with fewer aliens… But a similar amount of gore.
Speaking of gore, you’ll either be horrified or in stitches laughing, depending on whether you’re used to Tarantino’s unarguably excessive use of bloody violence or not. For a film which takes places on only two or three sets and who’s entire cast is only around 15 characters Tarantino throws around an unholy amount of blood. My personal favourite involves a bad cup of coffee (I shan’t spoil anything dear reader).

Plot wise, as spoiler free as possible, we follow the journey of famed bounty hunter John ‘The Hangman’ Ruth (Kurt Russell), bringing dangerous gang leader Daisy Domergue (Jennifer Jason Leigh) to the town of Red Rock to hang for her crimes, and to collect the sizable bounty on her head. Meeting up with another bounty hunter (Samuel L. Jackson) and a man claiming to be the Sheriff of Red Rock (Walton Goggins) the group are caught in a blizzard, forcing them to visit ‘Minnie’s Haberdashery’, a popular coach stop. Upon their arrival they’re met by strangers. It’s safe to say that trust is not something these people share, and the fear of a coup to free Daisy builds suspicion and tension to a classically Tarantino-esque bloodbath. Tarantino has admitted that the biggest influences come from his own ‘Reservoir Dogs’ and classic horror ‘The Thing’, trapped in frozen isolation and suspicious of false identities it is immediately obvious that Tarantino is drawing upon this classic, and standoffs, as well as the cast, ring of past Tarantino. The more astute might recognise the ‘Red Apple’, which I won’t explain; I’m sorry guys, but this is one for the hardcore Tarantino fan’s among us…
‘The Hateful Eight’ has had mixed reviews, some calling out similarities to Tarantino’s past work as lazy, but I don’t believe that this is fair, the man has carefully chosen several aesthetics he wishes to explore further, and incorporates a familiar base narrative into his own striking style we all know so well. I can’t think of many directors who can pull together a star-studded cast, a blistering soundtrack, powerful practical effects and some gorgeous cinematography with a deep and thrilling plot in such a tight and effective way. With the Oscars round the corner I’m feeling very optimistic, and whether or not you’ve seen any of Tarantino’s work before, and whether or not you consider yourself a fan, I ask that you take a leap and see ‘The Hateful Eight’, because I can guarantee it will blow your huevos off.